To recognize and celebrate the first 40 years, Phish.net presents “40 for 40” featuring curated selections by the Phish.net/Mockingbird community to highlight important aspects of the band’s history. Each Friday since the day before the 40th anniversary, we have shared 10 jams to enjoy that represent the depth of Phish’s incredible live improvisational performances across the decades. Today we have 12, featuring a double encore if you will, courteousy of @Icculus.

This is the last installment of the "40 Jams for the 40th" series. We appreciate everyone that sticks around for the encore or showed up at all! Check out the first here, the second here, and the third here. Stay tuned for an epic Expanded Playlist celebrating these 40 Jams available soon, not to mention more in the 40 for 40 series.

Check out the first ten here, the second ten here, and the third here.

Please consider making a $40 donation to celebrate this incredible milestone, support the great resources and community that Phish.net provides, and enable Mbird’s powerful grant-making work for music ed programs across the US, now totaling $2.4 MILLION.

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The team at the Helping Friendly Podcast will be embarking on a new project in 2024, ranking the Top 25 Phish Tours of all time. And we need your help!

Go to this form and choose your top 25 tours of all time. Voting will be open until January 12. Thank you!

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To recognize and celebrate the first 40 years, Phish.net presents “40 for 40” featuring curated selections by the Phish.net/Mockingbird community to highlight important aspects of the band’s history. Each Friday before the NYE weekend, we present 10 jams to enjoy that represent the depth of Phish’s incredible live improvisational performances across the decades.

As part of the celebration of this incredible milestone, please contribute to Mbird during the “40 for 40” campaign to recognize the great resources and community that Phish.net provides and to support Mbird’s powerful grant-making work for music ed programs across the US currently totaling $2.4 MILLION. To donate, visit https://phi.sh/~3GoIv78. Phish.net is also actively updating and improving our coding and content and could use your help, so if you are interested in joining the site team, visit https://phi.sh/~47VgFM9

This is the third installment of the series. Check out the first here and the second here.

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Proposals for presentations, art, and performances for the second-ever Phish Studies Conference are due this Friday, December 15th. The conference will be held in Corvallis, Oregon, at Oregon State University, May 17-19th, 2024.

More information, including the call for proposals and submission details, can be found at phishstudies.net. For a video archive of presentations made during the 2019 event, visit the inaugural conference’s website. For example, the Phish.Net Community Panel's presentation at the first Conference may be viewed here.

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To recognize and celebrate the first 40 years, Phish.net presents “40 for 40” featuring curated selections by the Phish.net/Mockingbird community to highlight important aspects of the band’s history. Each Friday before the NYE weekend, we present 10 jams to enjoy that represent the depth of Phish’s incredible live improvisational performances across the decades

As part of the celebration of this incredible milestone, please contribute to Mbird during the “40 for 40” campaign to recognize the great resources and community that Phish.net provides and to support Mbird’s powerful grant-making work for music ed programs across the US currently totaling $2.4 MILLION. To donate, visit https://phi.sh/~3GoIv78

Phish.net is also actively updating and improving our coding and content and could use your help. If you are interested in creating or updating content, visit https://phi.sh/~47VgFM9

This is the second installment of the series. Check out the first here.

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To recognize, celebrate, and commemorate our favorite band’s first 40 years, Phish.net will be presenting a series called “40 for 40” featuring curated selections by the Phish.net/Mockingbird Foundation community that highlight important aspects of the band’s history. First, get ready for 40 epic JAMS! Each Friday for the next four weeks, look out for 10 jams to enjoy that speak to the depth of Phish’s incredible live improvisational performances across the decades.

7/10/99 “Chalk Dust Torture” by BozakAxel (Chip Parker) - Mockingbird Foundation Director and President

As President of the Mockingbird Foundation Board of Directors, I am honored to have this opportunity to thank all the amazing contributors who have made and continue to make Phish.net the incredible community it is! Everyone volunteering with the foundation understands that Phish.net is an integral part of our mission to “broaden access and educational opportunities for young people in music and the musical arts,” because we know the critical role the .net community plays in generating support for our grantmaking, which currently stands at nearly $2.4 MILLION of charitable giving.

With your continued support of the Mockingbird Foundation, Phish.net will continue to evolve, improving its services and enhancing its content. It’s incredible to think that even after 40 years, the future is still somehow so bright for our community! I encourage you to consider supporting the fundraising campaign we are coordinating alongside this “40 for 40” celebration by making a gift of $40 (or $122.83, or any amount you want!) to help us continue our support of music education programs across the United States. It is important to note that contributions to the Mockingbird also enable and support Phish.net, as maintaining the website is among the Foundation’s few overhead costs–which are minuscule compared to our capacity for giving. We all deeply appreciate your support!

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Back in January 2022, I was checking out www.treysguitarrig.com (as usual) and noticed a post about a new guitar of Trey’s. But it wasn’t a Languedoc. It was by a maker named Circle Strings, also from Burlington. The guitar itself was absolutely gorgeous: a brilliant Koa flame on the back and sides and a beautiful classic Spruce on top.

Whoever built this guitar must have a pretty impressive resume and backstory. That someone turned out to be Adam Buchwald who I have been fortunate to get to know this past year. I presumed there was more of a story for Adam to tell besides making a few guitars for Trey. I also figured others might be interested as well.

In addition to Circle Strings which builds custom instruments, Adam runs IRIS Guitar Company which makes an affordable line of acoustic instruments, Allied Lutherie which sells top quality vintage and new woods to builders around the world and Ben & Bucky’s Guitar Boutique which is Vermont’s top guitar store – an impressive resume indeed!

Hope you enjoy learning more about these amazing guitars and the people behind them!

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[The following opinions are not necessarily shared in any way, shape or form by any Phish.net or Mockingbird Foundation volunteer. In reading any words in this post, you agree to hold Phish.net and The Mockingbird Foundation harmless from any and all liability arising therefrom, and you accept any and all responsibility for such liability arising therefrom. -Ed.]

IT is beyond peradventure, as has been established ad nauseum on this website, that rating a work of art on any scale is stupid, frivolous, and offensive. Accordingly, Phish fans have been assigning ratings to and ranking Phish shows for decades.

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Thank you Grant Calof, user @That_Guy, for authoring the "Evolve" song history, and thank you Tom Marshall for helping to ensure its accuracy!

We are very grateful to Cassidy McManus, phish.net user @donttouchthatknob, for authoring an all-new song history for the Stephen Sondheim number "Send In The Clowns" performed as the introduction for the NYE gag on 12/31/19 at MSG.

If you'd like to author a song history of a song on the site that lacks a history, please don't hesitate to ask, as this site relies on volunteers to author its content.

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IT was not uncommon in the 1990's for fans with too many cassette tapes to either give them away or "liquidate" them for the cost of buying a new tape (at the time, around $1.50 a tape including shipping costs). I liquidated hundreds of tapes because I had too many and wanted them to go to better homes. And at that time, there wasn't access to Phish's recordings online, and so I preserved certain versions of songs (usually jam segments only) that I wanted to hear again (or again and again and again) and didn’t want to lose for all eternity by dubbing them onto two dozen or so 100-minute mixtapes or mixed tapes.

And here are the first 13 of them for your amusement. It's surprising to me that not everything on those tapes circulates today online (sigh), so I may be giving such tapes to someone to digitize the material that has yet to circulate online (more sighing). In any event, if this post gets enough attention, I’ll consider posting the "setlists" (so to speak) of the other ten or so mixes that I have, which I do not seem to have ever typed-up, and so I would need to pull the tapes to type them up (not easily done without the full use of my right leg, as I continue to recover from ruptured right anterior tibialis tendon repair surgery). So please, if you appreciate this content, indicate as much in the Comments. Thank you!

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IT will be the fortieth anniversary of Phish's first gig in about forty-some-odd days. Over the course of Phish history, fans have often considered what Phish jams they would put on a 100-minute cassette “mixed tape” (aka mixtape) or a 74-minute CD (the Regular volume CD) or, more recently, on a playlist.

But what if that playlist were limited to only 74 minutes? Or 100 minutes? And what if instead of being a playlist of your favorite Phish jams, it was a playlist of what you believed to be tracks that best represented Phish's music and history in a given year over Phish's FORTY YEAR HISTORY OF PLAYING SHOWS?

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[We would like to thank user DrAyers (Michael Ayers) for recapping last night's show. -Ed.]

Greetings from inside the United Center! This is my second night seeing the boys in Chicago, as Jimmy Carr has announced a show in Chicago months before Phish did, and thus I was already on the hook. I was seated in the 200s for both nights (Saturday night behind the stage, Sunday night Mike side), making friends with the gentleman to my left (a fellow vinyl collector) and the WSP fanatic (Narrator: Poor soul) to my right.

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[We would like to thank user Farmhose, Alaina Stamatis (@Fad_Albert on Twitter), for recapping last night's show. -Ed.]

Because of *ahem* legal troubles as documented in my last .Net review I’m not permitted to leave where I live, and I don't live at the United Center, so this Phish show recap was generated in my living room instead of the NBA’s largest arena. The band came out to roars and applause but I didn’t feel compelled to stand up and instead chose to remain on my ass in my pajamas. No Hawaiian shirt, no face gems, no dudes offering me a finger dip into their mysterious baggies; just pure, unadulterated couch. And I still had a better seat than 8,000 of the nosebleeds.

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[We would like to thank user Brettsinthebathtub (Brett F.) for volunteering to recap and recapping last night's show. -Ed.]

Once again, we are at Phish. This time at the United Center; a building that proudly displays the achievements of some of the greatest athletes of all time in its rafters. But you can watch The Last Dance on your own time. Tonight, the focus is another GOAT.

If there’s any uncertainty about the tone of the night, it’s made clear up front: Shit is about to get real spooky in here. The theme from Friday the 13^th” plays as the band takes the stage. I’m caught off guard, as I don’t think I’ve ever heard anything other than the crowd when the band is picking up their instruments.

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